{"id":422,"date":"2014-10-02T15:47:42","date_gmt":"2014-10-02T17:47:42","guid":{"rendered":"http:\/\/www.01argentina.travel\/luxury_tours_argentina\/?p=422"},"modified":"2014-10-02T17:56:37","modified_gmt":"2014-10-02T19:56:37","slug":"tango-tours-buenos-aires","status":"publish","type":"post","link":"https:\/\/www.01argentina.travel\/luxury_tours_argentina\/tango-tours-buenos-aires\/","title":{"rendered":"Tango tours in Buenos Aires"},"content":{"rendered":"

\u00a0\"TangoAfter<\/span> decades<\/span> of neglect<\/span> and indifference<\/span>, tango enjoyed a period<\/span> of splendor.<\/span>
\nDuring the last decades<\/span> the youth<\/span> approached the<\/span> tango<\/span> clearly<\/span> influenced by<\/span> Astor Piazzolla<\/span> and<\/span> of renewal<\/span>. The debate<\/span> between the<\/span> tango<\/span> was installed to<\/span> tango<\/span> dancing and<\/span> listening,<\/span> between playing<\/span> the<\/span> bandoneon<\/span> standing or sitting<\/span>, between informality<\/span> and structure<\/span> of old.<\/span> And a whole<\/span> generation<\/span> post-<\/span>piazzola presented<\/span> proposals that followed<\/span> the trends<\/span> of the “master<\/span>“.
\nToday we<\/span> are facing a<\/span> new stage<\/span> where old<\/span> discussions<\/span> between the traditional and<\/span> the cutting edge<\/span> is<\/span> silenced<\/span>, the old and the<\/span> new,<\/span> and<\/span> there is much<\/span> new to<\/span> say.<\/span>
\nThe<\/span> range of options<\/span> is very diverse.<\/span> There is a<\/span> whole generation of young<\/span> dusting off<\/span> old<\/span> scores<\/span> and rescuing<\/span> the work of<\/span> the Old Guard.<\/span> And<\/span> on the other side<\/span>, the proposed electronic tango<\/span> has<\/span> primarily<\/span> generated<\/span> by<\/span> Gotan<\/span> Project<\/span>‘s music reaches<\/span> Buenos<\/span> Aires<\/span> unthinkable<\/span> areas such as<\/span> discos<\/span>.
\nPerhaps most<\/span> representative of what<\/span> is happening today<\/span> with the genre<\/span> lies in<\/span> two very<\/span> different proposals for<\/span> the same artist<\/span>. Gustavo<\/span> Santaolalla,<\/span> the Argentine rock<\/span> musician<\/span> legendary<\/span> former guitarist<\/span> of<\/span> Arco<\/span> Iris,<\/span> Current<\/span> record producer<\/span>, who revolutionized<\/span> the world of<\/span> tango<\/span> with his<\/span> BAJO FONDO TANGO CLUB<\/span>,<\/span> a proposed<\/span> electronic tango<\/span> that<\/span> was<\/span> an international success.<\/span> The same<\/span> Santoalalla<\/span> edited<\/span> “Coffee<\/span> teachers<\/span>“, a work of<\/span> collection that<\/span> brings together the<\/span> greatest living<\/span> masters of<\/span> tango:<\/span> Mariano<\/span> Mores<\/span>, Horacio<\/span> Salg\u00e1n<\/span>, Leopoldo<\/span> Federico<\/span>, Alberto<\/span> Podesta<\/span>, Tear Rivers<\/span>, among many others.<\/span> That is,<\/span> the<\/span> two faces of<\/span> tango<\/span> today<\/span>, equally valid and<\/span> attractive.<\/span>
\nThere are<\/span> many young people<\/span> who are excellent<\/span> tango<\/span> musicians and<\/span> bet<\/span> a lot of quality<\/span> proposals<\/span>. One group<\/span> proposed<\/span> the rescue<\/span> with guitars<\/span> singing<\/span> with<\/span> Gardel<\/span> corsinianas<\/span> and<\/span> reminiscences.<\/span> This is the case<\/span> of<\/span> The<\/span> Snares<\/span>, Cardinal<\/span> Dominguez<\/span>, 34, Stabs<\/span> (<\/span>offering a repertoire of<\/span> tangos<\/span> prison<\/span> that refer<\/span> to the knife<\/span> and its<\/span> mythical<\/span> universe<\/span>), Walter<\/span> and<\/span> Dipi<\/span> Kvitko<\/span> Chino<\/span> Laborde<\/span>, Alfredo<\/span> Piro,<\/span> Brian<\/span> Chambouleyron<\/span> between<\/span> other<\/span>.
\nOn the other hand<\/span> there is a<\/span> claim<\/span> of the Typical Orchestra<\/span>, the<\/span> legendary<\/span> tango<\/span> training<\/span> executed<\/span> with excellence<\/span> a tango<\/span> to be danced<\/span>. Among them<\/span> include<\/span> the orchestras<\/span> The<\/span> Boot<\/span>, Vale Tango,<\/span> Fernandez<\/span> Fierro<\/span>, Orquesta Sans<\/span> Souci,<\/span> and<\/span> Rodolfo<\/span> Mederos<\/span>, who after experimenting with<\/span> the<\/span> new sound<\/span> of<\/span> tango,<\/span> proposes<\/span> a return to the<\/span> origin.<\/span>
\nAs for the<\/span> repertoire,<\/span> there is a search<\/span> of<\/span> forgotten<\/span> gems<\/span>, old often<\/span> never<\/span> recorded<\/span> tangos<\/span> romantically<\/span> speaking<\/span> of<\/span> Buenos<\/span> Aires<\/span> already was.<\/span>
\nThere are those<\/span> tangos<\/span> with<\/span> current issues<\/span> as the work of<\/span> Javier<\/span> Gonz\u00e1lez<\/span> and<\/span> young poets<\/span> like Alexander<\/span> Swarcman<\/span> Patricia<\/span> Barone<\/span> and singing<\/span> in<\/span> their romantic<\/span> themes<\/span> and social criticism<\/span>; the work<\/span> of pianist<\/span> Jos\u00e9<\/span> Ogivieki<\/span> and a group of<\/span> new<\/span> songwriters<\/span> like John<\/span> Vattuone<\/span>, and<\/span> Adela<\/span> Balbin,<\/span> among others.<\/span>
\nAs for the<\/span> instrumental<\/span> tango,<\/span> there is a<\/span> whole generation<\/span> proposing a<\/span> new sound<\/span> without losing<\/span> the genuine<\/span> tango<\/span>, great young<\/span> talents<\/span> highly sought<\/span> as directors<\/span> and arrangers<\/span> as<\/span> Cristian<\/span> Z\u00e1rate (<\/span>piano), C\u00e9sar<\/span> Angeleri<\/span> (guitar<\/span>), Paul Mainetti<\/span> (bandoneon<\/span>), Pablo Agri (<\/span>violin), Julian<\/span> Vat<\/span> (flute<\/span> and sax<\/span>), Andres Linetzky<\/span> (piano<\/span>) and Nicolas<\/span> Ledesma<\/span> (piano<\/span>), among the most prominent.<\/span> They<\/span> also<\/span> leading<\/span> his own groups<\/span>.
\nThey are very interesting<\/span> also<\/span> the new voices<\/span> of gender as<\/span> Esteban<\/span> Riera<\/span>, Cardinal Dominguez,<\/span> Noelia<\/span> Moncada,<\/span> Veronika<\/span> Silva<\/span> (who was<\/span> the voice of<\/span> Gotan<\/span> Project<\/span> and now<\/span> presents<\/span> his repertoire of classic<\/span> tangos<\/span>), Roxana<\/span> Fontan<\/span> (who was<\/span> the first<\/span> Argentina<\/span> singer<\/span> sing in the<\/span> Kremlin<\/span>, with<\/span> a unique and personal<\/span> voice.<\/span>
\nThere is no shortage<\/span> merger proposals<\/span>, including “<\/span>Colonized”, a fusion of tango<\/span> and<\/span> Cuban son,<\/span> “<\/span>Chicano” (<\/span>proposing own<\/span> tangos<\/span> with musical<\/span> influences)<\/span>, “<\/span>Paul Porcelli<\/span> Ensemble”<\/span>, a proposal<\/span> from jazz to<\/span> tango<\/span> stand<\/span> Reincidentes<\/span> and<\/span> Small<\/span> Orchestra<\/span>, an urban proposal<\/span> from rock to<\/span> tango,<\/span> and<\/span> Juan<\/span> Carlos<\/span> Caceres<\/span> (Argentine<\/span> musician based<\/span> in Paris)<\/span> with<\/span> its proposed “<\/span>Black tango<\/span>“, a fusion of tangos,<\/span> milongas<\/span> and<\/span> cadombes<\/span> in the rescue of<\/span> black<\/span> origin<\/span> tango.<\/span> Top tango shows in Buenos Aires<\/a><\/span><\/p>\n

Esquina\u00a0Carlos<\/span> Gardel, i<\/span><\/span>n the neighborhood<\/span> of Abasto<\/span> neighborhood<\/span> Gardel<\/span>, a mansion from the early<\/span> twentieth century offers<\/span> one of the<\/span> most impressive<\/span> tango<\/span> shows<\/span> in town.<\/span> This is the<\/span> place that<\/span> will house<\/span> formerly<\/span> the<\/span> Hotel<\/span> and<\/span> Restaurant<\/span> Chanta<\/span> Cuatro,<\/span> a favorite<\/span> for the “<\/span>Creole Thrush<\/span>” to meet friends<\/span>. The living room has<\/span> three sectors<\/span>: Plateas<\/span>, Executive<\/span> and VIP<\/span>. The fundamental difference<\/span> is in<\/span> the menu and<\/span> accompanying<\/span> wines<\/span>, plus the location<\/span> of the tables.<\/span> <\/span><\/p>\n

The<\/span> show<\/span>‘s main star to<\/span> the live orchestra<\/span>. In addition, five<\/span> dancing couples<\/span> and numerous<\/span> costume changes<\/span> make up a<\/span> remarkable<\/span> show.<\/span> The singers<\/span>, always<\/span> prominent<\/span> followers of<\/span> Gardel,<\/span> have<\/span> own brilliance<\/span>. <\/span><\/p>\n

Tango<\/span> Porte\u00f1o<\/span> tango show in<\/span> Buenos<\/span> Aires<\/span> is located in<\/span> the heart of<\/span> the city<\/span> and is a great<\/span> art<\/span> deco<\/span> theater<\/span> where you can see<\/span> the largest<\/span> orchestra and<\/span> dance group<\/span>. Also bring<\/span> dinner<\/span> purchase<\/span> Free<\/span> Tango<\/span> Classes<\/span> and<\/span> premium tickets<\/span>.<\/p>\n

Contact us for tango shows information<\/a><\/p>\n

\"Tango <\/a>
Tour Abasto Village <\/div> <\/div> <\/div>
\"Tour <\/a>
Tour esquina Carlos Gardel <\/div> <\/div> <\/div> <\/div>
\"Tango <\/a>
Tour esquina Carlos Gardel <\/div> <\/div> <\/div>
\"Tango <\/a>
Tango Show <\/div> <\/div>
\"Tango <\/a>
Tour esquina Carlos Gardel <\/div> <\/div> <\/div> <\/div>
\"Tango <\/a>
Tour esquina Carlos Gardel <\/div> <\/div> <\/div>
\"Tango <\/a>
Tour esquina Carlos Gardel <\/div> <\/div> <\/div> <\/div> <\/div>\n

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